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Colony Review: Yeon Sang-ho Brings a New Zombie Threat to Fantasia
Reviews

Colony Review: Yeon Sang-ho Brings a New Zombie Threat to Fantasia

Rue Morgue reviews Colony, the latest zombie film from Train to Busan director Yeon Sang-ho. Led by Gianna Jun and featuring a hive-minded undead threat, the movie opened in limited U.S. release on August 29 after its Canadian premiere at the Fantasia International Film Festival.

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Blood Shine Review: A Folk Horror Study in Light, Faith and Pain
ReviewsIndie Horror

Blood Shine Review: A Folk Horror Study in Light, Faith and Pain

iHorror’s Luna Gray gives Blood Shine 3.5 out of 5, praising Emily Bennett’s performance and the film’s unsettling use of sunlight while noting that its middle section loses momentum. The independent horror film is playing in select theaters and available digitally from Dark Sky Films.

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Until You’re Alone Review: Horror Society Praises LGBTQ+ Giallo Mystery
Reviews

Until You’re Alone Review: Horror Society Praises LGBTQ+ Giallo Mystery

Horror Society awarded Christopher Wesley Moore’s Until You’re Alone a 3.5/5 rating. The review describes the 2026 film as an LGBTQ+-themed, giallo-inspired murder mystery with a strong cast, contemporary sex-work elements, and several slasher-style deaths.

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BUDDY Review: Casper Kelly Turns Children’s Television Into Horror
Reviews

BUDDY Review: Casper Kelly Turns Children’s Television Into Horror

Rue Morgue’s review of BUDDY praises Casper Kelly’s unsettling transformation of nostalgic children’s programming into a surreal horror story. Starring Cristin Milioti, Delaney Quinn and Keegan-Michael Key, the film opened theatrically on August 28 after its international premiere at Fantasia earlier this month.

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Reviews

Dread Central Finds Strong Performances Amid ‘The Whisper Man’s’ Familiar Mystery

Dread Central’s review of Netflix’s The Whisper Man gives the thriller 2.5 stars, praising performances from Adam Scott, Robert De Niro, and Michelle Monaghan while criticizing its conventional mystery and slow build. The review says the film gains momentum during its final act.

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